Syed Saad Ahmed
Editor
When school teachers were protesting outside the Escher Museum in the Hague, there were no menacing men in uniform swinging batons, and no spectre of violence haunting the gathering
The director of ‘We Have Boots’ talks about his film on the pro-democracy protests in Hong Kong
In conversation with Arun Karthick, whose movie ‘Nasir’ won the NETPAC award at the International Film Festival of Rotterdam (IFFR) 2020
At 85, Ruskin Bond’s penchant for walking has diminished, but his pen is as prodigious as ever. Comfortably ensconced in his cottage at Landour, the much-adored author reveals how he makes the mundane interesting, his fondness for naps and wrestling, and the book he reads the most.
Independent filmmakers from Bihar and eastern UP are breaking away from -cinematic conventions of the region’s film industry and exploring diverse stories
She did not have money to pay her husband’s medical bills and was sent to prison for defaulting on loans, but homemaker Revathi Roy wrestled against the setbacks to found three startups. Her latest, Hey Deedee, is an all-women delivery service.
Cogent issues are broached, but a proper resolution is hampered by dithering positions
Twenty years after the ghastly murder of her husband, the missionary Graham Staines, Gladys has forged a new life—as a nurse and doting grandmother—in Australia.
![[Forgotten Newsmakers] Gladys Staines: Life After Death](https://media.assettype.com/outlookindia/import/public/uploads/articles/2019/7/17/cover_story_16_20190729.jpg?auto=format%2Ccompress&fit=max&format=webp&w=300&dpr=1.0)
The extraordinarily salty water body packs many a pleasurable — and painful — punch
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