Why must being beautiful be displaced either to a past or deferred to a future, wonders Aradhana Seth
Aradhana Seth
Editor
In her evocative photo essay, Aradhana Seth gives us a glimpse of her creative world by showcasing some of her works in films like 'The Darjeeling Unlimited' and 'The Bourne Supremacy'
The ‘below-the-line’ people often work from 4 am to midnight, for weeks on end, in order to imagine, improvise, and to realise the vision of Hindi cinema. The movie set is ephemeral. The film is seen by the world and often enough drifts into oblivion. But each member of the crew has a story that is inspiring or heartbreaking or both.
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