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Abhinay Pandit: Mastering Cinematic Realism

Abhinay Pandit, a 24-year-old cinematographer, provides a captivating insight into his journey. His career commenced at the age of 17, and he has remained steadfastly committed to his craft.

Abhinay Pandit: Mastering Cinematic Realism
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Originally from Mumbai, India, Abhinay now calls Los Angeles home. Influential mentors such as Tony Richmond ASC BSC, Pascal Lebegue AFC, David A. Armstrong, Christopher Cheng Rossiter CSI ICG and several other esteemed cinematographers have profoundly influenced his trajectory in cinematography.

Abhinay's unique approach is firmly rooted in cinematic realism. He crafts narratives that draw the audience in, offering a perspective akin to viewing the world through a director's lens. Abhinay's goal is to evoke specific emotions and create a genuine connection between viewers and the story.

In discussions about his work, Abhinay emphasizes the significance of selecting the right camera for each project. Throughout his career, he has navigated a range of camera equipment, always considering the constraints of each project. Sometimes, production limitations necessitate a streamlined camera setup, while at other times, a more elaborate arrangement becomes essential.

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Equipment Selection and Project Approach

Equipment Selection and Project Approach

Abhinay illustrates his approach with two notable examples: "Dyuloka" and "Paanjo Kutch," directed by Dhruvin Shah for Virmoya, an Indian clothing brand. In both cases, he prioritized lightweight, easily transportable equipment to ensure the comfort of his crew and foster warm relationships with local communities. His mission was to authentically capture the essence of the locations, preserving their raw, unfiltered quality. For "Paanjo Kutch," Abhinay opted for the Fujifilm XT3 camera, complemented by zoom and prime lenses, creating a setup that precisely met his requirements. Over four days, he adeptly captured the dynamic world of textile arts and the self-sufficiency of traditional women deeply embedded in Kutch's cultural fabric.

Another noteworthy project is "Naiad ," directed by Linh Tang, an artist Abhinay enjoys collaborating with. For this venture, Abhinay employed a Sony camcorder, appreciating its adaptability in achieving the desired shots. He strongly emphasizes a straightforward perspective: top-tier equipment is occasionally necessary; the focus should be on achieving the desired level of detail and intimacy, especially given their limited two-hour window, primarily for shooting photographs and motion stills. Abhinay underscores that the need for expensive gear arises only in specific situations and can sometimes alter a project's look in a way that doesn't align with the desired aesthetic.

Abhinay also emphasizes that you can produce exceptional work with simple gear and basic artistic tools. He advises staying informed about the latest technologies and market trends, but always remembering that it's the artist's vision that truly makes a difference.

Abhinay is a passionate filmmaker who delights in experimenting with unconventional techniques. With a commitment to creative excellence, a unique approach rooted in cinematic realism, and a dedication to sharing the narratives of diverse communities, Abhinay Pandit is on a path to not only inspire through his art but also to shape the future of cinematic storytelling.

Notable mentions: Dhruvin Shah, Linh Tang, Virmoya.